2015 Le nozze di Figaro

Integrated into Ópera de Tenerife, is a project aimed at young professionals who do not have even the trajectory, and experience the scenic enough. After a selection of singers at the local, national and international, working for a month musical aspects and dramatic, to put in place a title of the opera within the opera season of the Auditorio de Tenerife. Opera (e)Studio born of the desire to fill the empty space on the left the young artists when they have finished their period of training top and have to make a debut on a stage.

Giulio Zappa as artistic and musical director of the project, Silvia Paoli in the stage direction and an extensive team of professionals have prepared to the selected in all those aspects necessary to meet a good representation operatic according to mark the current canon european: a technique of musical interpretation and scenic, style, direction, body expression, nature theater of the role, the historical context of the composition, the drama, the study of the libretto, etc, which culminates in the production of Le nozze di Figaro Mozart, with the Symphony Orchestra of Tenerife and which is included within the season of the Opera de Tenerife, thus ensuring direct contact with the reality of the theatre.

Participants 2015

Andrea Vincenzo Bonsignore / Il Conte di Almaviva

Baritone

[Italia]

Daniele Terenzi / Malatesta

Bass-baritone

[Italia]

Alexandra Grigoras / La Contessa di Almaviva

Soprano

[Rumanía]

Alessandra Contaldo / Susanna

Soprano

[Italia]

Lorenzo Malagola Barbieri / Figaro

Bass-baritone

[Italia]

Lorenzo Malagola Barbieri / Figaro

Bass-baritone

[Italia]

Shahar Lavi / Cherubino

Mezzo-Soprano

[Israel]

Jaime Pialli / Bartolo – Antonio

Baritone

[Italia]

Jaime Pialli / Bartolo – Antonio

Baritone

[Italia]

Silvia Zorita / Marcellina

Mezzo-Soprano

[España]

Carmen Mateo Aniorte / Barbarina

Soprano

[Spain

Carmen Mateo Aniorte / Barbarina

Soprano

[Spain

David Astorga / Basil – Don Curzio

Tenor

[Costa Rica]

Pablo Gálvez Hernández / Il Conte di Almaviva

Baritone

[España]

Pablo Gálvez Hernández / Il Conte di Almaviva

Baritone

[España]

Arianna Venditelli / La Contessa di Almaviva

Soprano

[Italia]

Inés Ballesteros Bejarana / Susanna

Soprano

[España]

Inés Ballesteros Bejarana / Susanna

Soprano

[España]

Riccardo Fassi / Figaro

Under

[Italia]

Valentina Stadler / Cherubino

Mezzo-Soprano

[Alemania]

Valentina Stadler / Cherubino

Mezzo-Soprano

[Alemania]

Javier Povedano Ruiz / Bartolo – Antonio

Baritone

[España]

Production: Las bodas de Fígaro

When you choose Le nozze di Figaro as the subject of his opera, in addition to supporting the ideas illustrated equality as favoured by the monarch Joseph II, Mozart was determined to make a work more Italian than the italians themselves, and thus the Overture to Le nozze di Figaro it is an instrumental composition in the style more mediterranean and lighter than we can imagine. Without a doubt, the subtitle of the original work, “A day mad”, he gave Mozart the key to writing with indication of presto those bursts of the rope to start the work, describing its winding route around the bright d major of the primary hue of the opera. With the same simple elegance and roundness with that constructed all of your music, Mozart leads us through the sea of shades of fluid form, giving us another jolt with the input sequence of the various instrumental sections in sforzandi, absolutely essential to the fit of the small, precise thematic elements that make up this miniature symphony.

In summary, is the force of symphonic music and its high degree of development of timbre and motívica what gives life to the characters and depth to the situations of Le nozze di Figaro, a comedy about a universal theme that embodies the virtues of the musical drama more complete. In four acts, Le nozze di Figaro develops in the palace of Count Almaviva has in the town of Fresh Water, near Seville, in Spain. The plot of the opera revolves around the attraction that Susana has on the Count of Almaviva.

Tab, artistic

Director of Opera (e)Studio: Giulio Zappa

music Director: Yi-Chen Lin

Director: Silvia Paoli

Assistant director: Roberto Turchetta

set Designer: Andrea Belli

costume Designer: Massimo Carlotto

Lighting: Hugo Carugatti

of the Tenerife Symphony

Chorus of Opera de Tenerife

Co-production of Auditorium of Tenerife and the Teatro Comunale di Bologna

Cast

CAST TO

Il conte di Almaviva: Andrea Vincenzo

La contessa di Almaviva: Alexandra Grigoras

Sussana: Alessandra Contaldo

Figaro: Lorenzo Malagola Berbieri

Cherubino: Shahar Lavi

Bartolo / Antonio: Jaime Pialli

Marcellina: Silvia Zorita

Barbarina: Cramen Matthew Aniorte

Basilio / Don Curzio: David Astorga

CAST B

Il conte di Almaviva: Pablo Gálvez

answer di Almaviva: Arianna Venditelli

Susanna: Inés Ballesteros

Figaro: Riccardo Fassi

Cherubino: Valentina Stadler

Bartolo/Antonio: Javier Povedano Ruiz

Marcellina: Silvia Zorita

Barbarina: Carmen Mateo

Basilio/Don Curzio: David Astorga

Gallery

Videos

Pablo Gálvez habla sobre su participación en Opera (e)Studio

Riccardo Fassi habla sobre su paso por Opera (e)Studio

Silvia Zorita mezzosoprano de Ópera de Tenerife

Pablo Gálvez, barítono de Ópera de Tenerife

Lorenzo Barbieri, bajo de Ópera de Tenerife

Alexandra Grigoras, soprano de Ópera de Tenerife

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